«Approaches in the contemporary Sudanese narrative» # Read 8- «Crank Punch» By:- Cardinal Mohamed Ahmed

«Approaches in the contemporary Sudanese narrative»
# Read 8- «Crank Punch»
By: Cardinal Mohamed Ahmed Khartoum Sudan
#Submit ..
- The argument of the time of the novel, and the time of poetry, is not accurate, accurate and categorical utterance! Yes, we are in the time of the novel somewhat; because it is capable of representing the complex and complex quantum, at the level of conflict between the components of human societies, and the rate of the amazing cosmic movement, which falls sharply on the flesh and nerve and character entity, we can say with caution: the novel is the most capable of its techniques The diverse, elusive and intertwined narratives to express this complexity (*)
1- The narrative.
2017 About the House of papers for publication on 158 pages of medium-sized pieces The first work of the Sudanese writer Musab Jabbara published a narrative "Crank Naquma" divided into ten small chapters in which follow the life of the hero Hashim Duda, which was used as a platform for messages carrying the contents of community and humanitarian and reflect the suffering of the environment "The village," facing the vast majority of the public community "the city" and remains faithful to its environment and the love of its people, and rejecting the restrictions imposed on emotion, belief and religion in the dual geography, the results of self-conflict in the focus of the general complexity of the elements appear in most of the majority Classes The novel, and finally manifested in interaction with the intellectual maturity of the hero and the specific characters, the storyline tried to draw the character of a character originated in a village in the northern region and carried the hopes and visions traveled to the city of Khartoum to return to the womb of the first village after the crash committed to live on the civil margin ...
2 - a vision in the critique of the narrative text:
Musab Jabara As many contemporary Sudanese writers deal with something similar to the general and recurrent idea in a number of contemporary texts. However, it is a new model that is not consistent with what preceded it to the different intentions of the stories. It can not be asserted in the field of criticism that the novel has caused concussions in writing with the conditions and provisions Which is common or exceeded the literary genre common in the contemporary Sudanese narratives, the structure of narrative in the novel shrouded in descriptive structure is easy and direct and does not carry a symbolic fill, where the inspiration of words and meanings corresponds to the location of the expression of frequency according to the division of characters in a single
In the digestion of the idea and content, which is a size of the standard of the potential of the momentum of the imagination and the intensification of the interesting, only in a few turns to show us that the writer has the talent of truth in the story and storytelling novel light template free of the roughness of wording and excessive expression, the center of the text since the launch is consistent with the code or The code provided by the title of each chapter is not completely separate, and the freedom of the reader to realize the general theme is not enveloped in complexity, do not forget that the acquisition of this first experience and feel the worlds of narration in Musab Jabara.

3 - Criticism of a tragic man Karnak ...
The canned cash curriculum may not designate the critic to re-read the text as it should be, and to produce a parallel aesthetic text of the narrative text, (*).
There is no doubt that the tragic theme starring Hashim Duda was characterized by spontaneity, fluency and clarity, in all that collided with the walls of self and society, but through the form, side, the relationship of the extinction of events faced by a unilateral definition of everything about the personality but the same personality, actions and reactions easy to any Another character, the field is enough but Hashim's explanation was not enough enough.
The characters in the narration have been identified and have not received as much as they fit into the text.
The women of Karnak "often appear as clips of a film rather than a narrative, exceeded, cut some of the criteria governing the act and reaction of personality, such as officer horn and Kosti and men quarrels other influential figures» ...
-Emergency ..
There is no accurate perception of the geography of the village, the seasons of the year and the forms of recipes clearly exposed to some of the characters, the sizes sneak out of the details of the details of the city and the environment, which presents the conflict and conflict with the ground of departure, yet not treacherous ...
Women's ...
Through the narration, she appears as a victim who is always present in the crime scene, poor, raped, a saleswoman.
The writer worked on the personalization of the Communist character without any justified reason, and find no effect as an add or delete the piece as a mass narration ...
- The themes emerge from time to time with a serious risk «Poverty, ignorance, power and religion as reasons of corruption, sex absurd» were all articulated and were to be the reasons for strengthening and evidence of the strength and idea of ​​the text more if there were revisions in the size and position of appearance interspersed text and characters ..
4 - Last station Karnak ..
The writer returns the idea to the womb of the construction, where there are no solutions, the hero returns to his village after the ordeal of discovering the city, leaving the beloved to return to death near a beloved left before,
Put the hero in a salty moment and the same entrances were a crucible from the director .... I think that the writer for the production of any action in the imagination of Hashim worm, killing the things and darkened the color of the wound and accused of departure planned pre-excluded and not completely amazing ...
5 Conclusion ...
Crank's novel is an old piece of fiction for a young writer, but she predicts through the narrative process that she is adding to the Sudanese novelist's creative track.
Khartoum, 13/6/2018